The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY
SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND A BROKEN HEART
SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE
SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING SIGHING
SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP
SPILL ALBUM REVIEW: AUDIOSLAVE – OUT OF EXILE (REMASTERED)
SPILL ALBUM REVIEW: KIT MAJOR – MISS EGO
SPILL ALBUM REVIEW: PUBLIC IMAGE LTD – ALIVE
SPILL ALBUM REVIEW: ANGINE DE POITRINE – VOL. II
SPILL ALBUM REVIEW: YES – AURORA
SPILL ALBUM REVIEW: JON SPENCER – SONGS OF PERSONAL LOSS AND PROTEST
SPILL ALBUM REVIEW: SWEET – LIVE AT THE CAPITOL (HANNOVER 1991)
SPILL NEW MUSIC: WAR ANNOUNCES 50th ANNIVERSARY REISSUE OF ‘GREATEST HITS’
SPILL NEW MUSIC: KEEGAN POWELL – “LONG WAY THROUGH DOOM”
SPILL MUSIC PREMIERE: AWAKE & DREAMING – “ANTIDOTE”
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
254
previous article
SPILL NEWS: GORILLAZ ANNOUNCE NEW ALBUM THE NOW NOW
next article
SPILL ALBUM REVIEW: BEACH SKULLS - LAS DUNAS

SPILL ALBUM REVIEW: THE COATHANGERS – LIVE

The Coathangers

The Coathangers
Live
Suicide Squeeze

There is a hectic, chaotic energy to live music that studio recordings simply cannot capture, and punk band The Coathangers want to remedy this with their latest album, Live, released June 1 of this year. Live is exactly what it sounds like – a rocking, 2-day live show recorded as an album, a “two-night stand” spanning November 9 and 10 at Alex’s Bar in Long Beach. Advertised as The Coathangers: 2 Nights of Magic and set against a witchy backdrop of tarot card readings, burlesque, palm readers, magicians, and, inexplicably, a giant paper-mache rabbit, The Coathangers were determined to capture the raw magical energy of live performance on tape and hack it down to a frenzied, live album representative of their “entire career in 38 minutes”. The Coathangers is a band whose legacy lies in live performance, and they needed an album that could encapsulate this legacy. “We are intent on capturing a real moment between us and the audience”, the band vowed, and Live insists on recreating the magic, connection, and wildness of live music.

The all-female punk band has been churning out music for thirteen years – hard to believe they haven’t been around longer, given the raw old-school punk tunes on Live, spinning already gritty music into blistering chaos. The single “Gettin’ Mad and Pumping Iron” from the 2009 album Scramble, boasts heavy guitars overlaying a jaunty bass riff, screeching, frenzied vocals ripping through the instrumentation. The live version is somehow even more electric and manic than the original, with crashing music that weaves a sonic cage around the scraping, spitting lyrics. “Captain’s Dead” off the 2017 EP Parasite features a fast-paced guitar and frenetic drums, followed by a sweeping, melodic chorus. The band’s self-titled album’s jiving “Tonya Harding” makes you want to dance with its classic punk riffs set against whining, yipping vocals that become wilder as the tempo rises. Vocals are ripe with raspy feminine energy and weave over top of one another, crocheting a bopping pattern of rock ‘n’ roll that lacks the modern sound of the cleaner, staccato original recording. Fan favourite “Adderall” is slower and more lyrical, mixing distorted punk-rock choruses with melodious verses and eccentric pockets of paw-muted guitar and static.

Live loses none of the original recordings’ instrumentation or vocal effects; instead, The Coathangers’ songs are infused with the euphoric sonic chaos lent by the adrenaline and sheer joy of live performance.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE COATHANGERS – LIVE

Author

Isabel Armiento

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
6.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsgettin' mad and pumpin' ironlivesuicide squeezethe coathangers
album review, album reviews, gettin' mad and pumpin' iron, live, suicide squeeze, the coathangers
About the Author
Isabel Armiento
Isabel is an English major at the University of Toronto, and spends most of her time reading books, listening to punk rock music, and writing for anyone and everyone willing to read it. Raised in Toronto, her somewhat eclectic music taste has been shaped by a healthy mixture of mosh pits and Mirvish musicals. She thinks live music is the highest form of entertainment.
RELATED ARTICLES
album reviewalbum reviewssuicide squeeze
 
6.0
Devon Parker

SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY

by Gerrod Harris on June 12, 2026
DEVON PARKIN NEW BELIEFS ON LAYAWAY MYSTERYBOX RECORDS Vancouver-based producer, Devon Parkin, has returned with his second full-length album, New Beliefs On Layaway. The album follows a string of singles and the 2023 release of his debut, Sit [...]
 
8.0
Shannon Jae Ridout

SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND A BROKEN HEART

by Ljubinko Zivkovic on June 12, 2026
SHANNON JAE RIDOUT TWO BUSTED BOOTS AND A BROKEN HEART ANTI-CORP MUSIC Back in the mid-s60s, when Vanguard Records were all the rage on the folk scene, it was practically an honour to get a chance to record a solo folk/singer-songwriter album [...]
 
8.0
Big Brave

SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE

by Ljubinko Zivkovic on June 12, 2026
BIG BRAVE IN GRIEF OR IN HOPE THRILL JOCKEY The emotional element was never missing from BIG|BRAVE’s music, but for its latest album, in grief or in hope, the Montreal/Berlin trio turn that emotional level a few notches further up (or more [...]
 
8.0
Sister Gemini

SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING SIGHING

by Ljubinko Zivkovic on June 12, 2026
SISTER GEMINI SCREAMING CRYING LAUGHING SIGHING DANGER COLLECTIVE RECORDS Sister Gemini is one Remy Jean, supported on her debut album Screaming Crying Laughing Sighing by a quite select collaborative crew, with musicians and producers that have [...]
 
8.0
Amelia Day

SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP

by Ljubinko Zivkovic on June 12, 2026
AMELIA DAY EGO TRIP INDEPENDENT It is true that the number of artists covering that currently popular ground between Americana and pop/rock. Yet the key there is how distinctive their music is – whether they separate themselves from the rest and [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY
6.0
 
SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND...
8.0
 
SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE
8.0
 
SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING...
8.0
 
SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1211
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
935
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
797
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
759
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
738
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
648
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
588
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
586
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
569
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
563
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
533
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
480
 
SPILL NEWS: WIDOWSPEAK ANNOUNCE NEW ALBUM, HEADLINE TOUR, AND SHARE LEAD SINGLE “IF YOU CHANGE”
452
ENTERTAINMENT HEADLINES