The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
54
Editor Pick
previous article
SPILL ALBUM REVIEW: THE MOLOTOVS - WASTED ON YOUTH
next article
SPILL ALBUM REVIEW: SOFTCULT - WHEN A FLOWER DOESN’T GROW

SPILL ALBUM REVIEW: WARREN HAYNES – TALES OF ORDINARY MADNESS (2026 REMIX)

Warren Haynes

WARREN HAYNES
TALES OF ORDINARY MADNESS (2026 REMIX)
MEGAFORCE RECORDS

Warren Haynes, Grammy Award-winning member of the Allman Brothers and frontman of Gov’t Mule, steps back into the spotlight with a revitalized release of his solo album Tales of Ordinary Madness, arriving January 30, 2026. Long before today’s world embraced the rock, blues, and soulfulness of this musician, Haynes had carved his own path with the album’s original 1993 debut.

This remastered edition, Tales of Ordinary Madness, is far more than a nostalgic revisit. It vividly highlights Haynes’s unmistakable soulful artistry. Each of the 12 original tracks now carries renewed clarity and emotional depth, guiding listeners through a landscape of grit, vulnerability, and reflection.

Aside from the blazing opener, “Fire in the Kitchen,” “Tear Me Down” bursts out with funky swagger, driven by a southern-style saxophone that injects irresistible energy, allowing an overdue spark to ignite. “Invisible” shifts into a simmering jazz-infused groove, inviting listeners to linger in its rhythmic warmth. Meanwhile, the introspective “Tattoos and Cigarettes” becomes a poignant meditation on fading dreams, anchored by Haynes’s evocative line, “A saviour never stands out in a crowd.”

“I’ll Be the One” drifts toward a serene Southern R&B atmosphere, blending nostalgia and tenderness into a melody that glows with quiet charm. The album closes with the sweeping seven-min epic “Broken Promised Land,” where Haynes’s raw vocals and haunting guitar work culminate in a ghostly, church-tinged crescendo.

With this newfound glow, Tales of Ordinary Madness emerges not just as a lost classic but as a powerful declaration of Haynes’ enduring legacy.


SPILL FEATURE: ALL THESE CHANGES IN EVERYTHING WE TOUCH – A CONVERSATION WITH WARREN HAYNES



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: WARREN HAYNES – TALES OF ORDINARY MADNESS (2026 REMIX)

Author

Julie Correll

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
10
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsfire in the kitchengov't mulemegaforce recordstales of ordinary madnesstales of ordinary madness (2026 remix)
album review, album reviews, fire in the kitchen, gov't mule, megaforce records, tales of ordinary madness, tales of ordinary madness (2026 remix)
About the Author
Julie Correll
My love for music and writing has led me to be a music journalist. My favorite music era is the 70s. I want to help save the music from that era, so it is not forgotten, and writing about it helps me do that.
RELATED ARTICLES
album reviewalbum reviewsgov't mule
 
9.0
Marta Del Grandi

SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE

by Ljubinko Zivkovic on January 30, 2026
MARTA DEL GRANDI DREAM LIFE FIRE RECORDS Some singer-songwriters stick to all the defined lines, if you could call them that of this broadly-defined genre (and they are quite good at it), while there are not so many of them that try to bring in [...]
 
8.0
Kim Moberg

SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS

by Ljubinko Zivkovic on January 30, 2026
KIM MOBERG ALL THAT REALLY MATTERS INDEPENDENT You don’t essentially need to be an innovator that breaks boundaries to come up with good music that could reach quite a number of listeners. As a solo artist, you do need a hefty dose of [...]
 
10
CBGB

SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986

by Ljubinko Zivkovic on January 30, 2026
VARIOUS ARTISTS CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986 CHERRY RED RECORDS This is a music collector’s perfect combination—an extensive compilation (box set, effectively) on one of the best labels around that can handle such a [...]
 
8.0
Blackwater Holylight

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

by Aaron Badgley on January 30, 2026
BLACKWATER HOLYLIGHT NOT HERE NOT GONE SUICIDE SQUEEZE RECORDS Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese [...]
 
9.0
Softcult

SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW

by Jake Collier on January 30, 2026
SOFTCULT WHEN A FLOWER DOESN’T GROW EASY LIFE RECORDS Softcult’s debut album arrives after a run of EPs that never felt disposable but fully realized on their own, Year of the Snake especially pointing toward something larger. Self-produced by [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
918
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
864
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
687
 
SPILL ALBUM REVIEW: NOFX – A TO H
669
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
621
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
619
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
594
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
529
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
465
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
462
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
458
ENTERTAINMENT HEADLINES