Various Artists
Too Late to Pray: Defiant Chicago Roots
Bloodshot Records
Bloodshot Records emerged on the scene 25 years ago, aiming to be a bridge. What is soul is bluegrass, what is punk is folk, what is pub rock is rockabilly. The sounds could be mistaken for a dimly-lit tavern, the kind soaked in a good country lager, someone hammering away on a honky tonk piano on the sawdust.
25 years later, Bloodshot celebrates the milestone by revisiting the concept of their first release: the multi-artist For A Life of Sin, Insurgent Chicago Country. From recognizable names like Robbie Fulks and The Mekonsβ Jon Langford, to lesser-known Chicago staples, the box set goes every genre, branching out from the country roots all the artists grew. Even the cover, beautifully designed by Langford, evokes the mixed bag atmosphere.
Each song has its own twang, a story to tell. Augmented with a pedal steel guitar, Earp & The Free For Allsβ βThe Last Honky Tonk In Chicagoβ is a fitting beginning, starting with a country shuffle, before moving into a hoedown. Langford brings a punkesque pub rock with βI Am a Big Town,β snarling that βHanginβ in the air/Thereβs trouble everywhere.β
Bethany Thomas and Tawny Newsome, both longtime Langford collaborators, duet on the catchy stomp-and-clap romp βDinosaurβ, with high harmonies and βOoh noβs. Los Gallos bring the catchy βYeah Yeah Yeahβ, built around a riff, in typical garage rock fashion, with the vocalist bellowing his lines, promising the listener heβll rock and play the blues. Sima Cunningham brings the tender βWeeds and Daisiesβ highlighted by flourishes of piano, leading to an absolutely gorgeous middle eight where a chorus of voices harmonizes on top of the lush guitar.
The collection takes on some covers, as ROOKIE brings an amazing indie-fueled cover of Tears For Fearsβ βHead Over Heelsβ, with just a hint of Western feel. David Bowieβs debut single back in 1964, βLiza Janeβ, is given a garage-a-billy treatment by the reverb-soaked Dyes. βI Gotta Have My Baby Backβ, a Floyd Tillman cover, has just a pleasing sound, sung by the sultry Bloodshot mainstay Kelly Hogan. Led by a pedal steel guitar, Hoganβs delivery is augmented by an organ and bombasic drum. The Chicago/Kentucky-based favourites Freakwater duet on a banjo-heavy βSwayβ by The Rolling Stones.
Itβs only fitting that the collection finishes with another cover, The Handsome Familyβs take on βTower of Songβ by Leonard Cohen. Their interpretation is a hazy psychedelic that sounds like a mix between Cohen and some β80s synth wave band, with industrial effects fading away. Itβs a great end to a compilation that proves innovation in an age-old genre isnβt impossible. Synth strings give it a Baroque feel, while retaining the twang that makes it so folksy.
Like any compilation, Too Late to Pray requires repeated listening. Packed with gems that pop up on the second or third listen, Bloodshot celebrates its anniversary the only way the long list of acts that grace the tracklist knows how, by song.
Label Links
SPILL ALBUM REVIEW: VARIOUS ARTISTS – TOO LATE TO PRAY: DEFIANT CHICAGO ROOTS
King Dawit