The Dears
Lovers Rock
Dangerbird Records
The Dearsβ eighth album, Lovers Rock, is an absolutely pleasing collection of sonic delights for fans old and new. Amongst the catchy hooks, vocal falsettos, and melancholic pop-noir exists a deepness which is consistent with each offering from The Dears.
Murray Lightburn and Natalia Yanchak are joined by drummer Jeff Luciani , guitarist Steve Raegele, and bassist RΓ©mi-Jean LeBlanc. Sam Roberts and saxophonists Alex Francoeur and Β E Street Bandβs Jake Clemons also make appearances. Of note, the use of the saxophone isnβt typical of many songs from The Dears, but when it is, itβs well appointed–case in point, βFind Our Way To Freedomβ from The Dearsβ 2006 release, Gang Of Losers, which was performed eloquently by Lightburnβs late father, Rev.William J. Lightburn.
The first two singles released from Lovers Rock, βHeart Of An Animalβ and βI Know What Youβre Thinking And Itβs Awfulβ, kick things off as ridiculously striking tunes, obvious choices for singles.
βInstant Nightmare!β explodes with a thunderous buzzing guitar, suggestive of Link Wray, with additional strings and lasers. Yanchak takes the helms on vocals with a helping hand from guest musician, fellow Montrealer Sam Roberts. The exclamation mark in the song title is well-placed in this powerful ballad.
βIs This What You Really Wantβ would fit nicely into the catalogue from The Smiths, minus the keyboards and saxophone. This is a mellow entry which could easily be mistaken for a single from Lightburnβs 2019 well-received, bluesy crooning solo album, Hear Me Out. Additionally, on the back end, βPlay Deadβ and βToo Many Wrongsβ are stripped-down tracks which also really highlight Lightburnβs vocals.
βThe Worst In Usβ starts very satisfyingly as an upbeat rock theme. Near the half-way point it takes a turn, shifting to an β80s-inspired echoing drum solo and then keyboard synth, reminiscent of a darker version of βOur Houseβ by Madness, with a touch of βLast Time Foreverβ by Squeeze. Despite the title of the track, itβs an βus against the worldβ defiant love song. βAnd while theyβre bringing down the rest of us/Theyβre never bringing out the worst in usβ.
βWeβll Go Into Hidingβ gives a kind of final closure to the album, a hibernation of sorts, until we see The Dears once again. Strings, saxophone, guitars, and drums unite. Until then, βItβs gonna be alright, itβs gonna be alright.β and the final words βWeβll make it last forever, on Lovers Rock, on Lovers Rockβ.
Lovers Rock is described in its link to The Dearsβ 2003 release No Cities Left, by Lightburn, ββ¦ itβs like theyβre interlocked. But itβs a different kind of doom.β Doom, rightfully so, seems to be an underlying theme in The Dearsβ musical soundscape. One which is always overcome, and in the end, replaced with a defiant joy. Lovers Rock continues the legacy of The Dears as a persistent gift in the lineage of Canadian modern rock.
ArtistΒ Links
SPILL ALBUM REVIEW: THE DEARS – LOVERS ROCK
John Graham