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SPILL ALBUM PREMIERE: ALEX SOUTHEY – NOISE FOR THE BLACK PAINTINGS OF QUINTA DEL SORDO: PART I
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SPILL ALBUM REVIEW: SANTANA – AFRICA SPEAKS

Santana

Santana
Africa Speaks
UMusic

Returning with his first album since 2016’s Santana IV, guitar innovator, virtuoso, and legend Carolos Santana has released Africa Speaks. Produced by Rick Rubin, the 11-track album – released ahead of his summer Supernatural Now tour and his on-and-off residency at Las Vegas’ The House Of Blues – marks Santana’s 25th record of original material. This feat is only surpassed when considering the sonic quality of Africa Speaks, a collection of music that only continues to enhance the name and reputation of Santana, while continuing to push any and all musical limitations.

Upon the opening of title track “Africa Speaks,” one hears a blend of rhythmic percussion, spoken word from Santana himself, wailing guitar, and raspy vocals sung in Spanish in unison with the distinctive, one-of-a-kind guitar tone. In this moment, the listener is transcended: music becomes your religion; Santana, the pastor; and Africa Speaks, today’s sermon. As the band seemingly warms up for three minutes, the song truly kicks in with a guitar solo set over Latin and African rhythms and continues to grow from its grand opening. While the way that the opening track grabs the listener could be endlessly discussed, the album continues to roll forward.

A musical marvel, Santana blends elements of rock, jazz, the blues, Latin, funk, and pop music together in a seamless fashion… just as he has always done. “Batonga” stands as a Latin rock odyssey rich with a deep sense of melodicism along with a series of solos, ranging from percussion and organ to Santana’s ever-present lead guitar lines. His riffs seem to run with a sense of abandon underneath the whole song without managing to step on anyone else’s toes. Quite contrastingly, “Yo Me Lo Merezco” stands as a strong, slow-burning pop ballad while “Breaking Down the Door” has a quality to it which sounds as if it was pulled straight from a Latin standards book.

Santana’s ability to push the stylistic boundaries through his compositions is only rivalled by his incredibly unique voice as a guitarist. He weaves together chords, rhythm, and lead lines with jaw-dropping solos… all the while delivering some of the nicest tones you’ll ever hear. It must also be noted that he leads one of the – if not the – tightest ensembles to be heard on record in quite some time.

Still reeling from the opening track, I realize my room has gone quiet. The album has come to a close, and while I am unsure as to how long I have been sitting here since the final notes of “Candombe Cumbele” have rung, a feeling of transcendence sits with me. Africa Speaks is a true masterpiece – something that Santana, even well over fifty years into his career, seems to turn out effortlessly.



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SPILL ALBUM REVIEW: SANTANA – AFRICA SPEAKS

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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