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SPILL FEATURE: 7 SEAS: A RETURN TO WATER, AND THEMSELVES – A CONVERSATION WITH DIRTY HEADS
SPILL NEW MUSIC: SEBASTIAN BACH LEADS AN ALL-STAR TRIP UP THE SILVER MOUNTAIN TO MEET THE MAN
SPILL FESTIVAL REVIEW: NXNE 2026 – LUCY ELLIS @ THE CAMERON HOUSE, TORONTO
SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY
SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND A BROKEN HEART
SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE
SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING SIGHING
SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP
SPILL ALBUM REVIEW: AUDIOSLAVE – OUT OF EXILE (REMASTERED)
SPILL ALBUM REVIEW: KIT MAJOR – MISS EGO
SPILL ALBUM REVIEW: PUBLIC IMAGE LTD – ALIVE
SPILL ALBUM REVIEW: ANGINE DE POITRINE – VOL. II
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SPILL ALBUM REVIEW: JON SPENCER – SONGS OF PERSONAL LOSS AND PROTEST
SPILL ALBUM REVIEW: SWEET – LIVE AT THE CAPITOL (HANNOVER 1991)
SPILL NEW MUSIC: WAR ANNOUNCES 50th ANNIVERSARY REISSUE OF ‘GREATEST HITS’
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SPILL ALBUM REVIEW: SAM FENDER – PEOPLE WATCHING (DELUXE VERSION)

Sam Fender

SAM FENDER
PEOPLE WATCHING (DELUXE VERSION)
POLYDOR

Was the world really crying out for a deluxe version of an album that only came out in the early knockings of 2025? Initially I felt not, perhaps because I didn’t really like the initial cut of People Watching (and judging by the internet, I was one of the only people who didn’t). Still, perhaps a fresh ear and eight new tracks might win me over?

He’s not messing about, as the new artillery here includes collaborations with hot act Olivia Dean and certified legend Elton John. His collaboration with Sir Elton, “Talk To You,” is reminiscent of about a 1000 Springsteen songs, and certainly won’t throw off the facsimile complaints previously, but it’s much better than most of its original album-mates, and his collaboration with Dean, “Rein Me In,” is suitably bouncy and cheerful. “Tyrants” is also full of energy and spite, perhaps carrying a more important message than ever in turbulent times.

To be fair, on all eight of these tracks, more of Fender’s heart comes through, and the songs are a bit more memorable as a result. “I’m Always on Stage” was a good start to the deluxe reimagining and an attempt to change my mind, because it’s the best of Fender; heartfelt, real, and raw, no longer choking under the weight of the original album’s glitz.

Perhaps I’m going soft after a difficult year, but I finally ‘get’ this album. I’m still not with the herd on its quality, but its much better with its additions, that’s for sure.



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SPILL ALBUM REVIEW: SAM FENDER – PEOPLE WATCHING (DELUXE VERSION)

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John Porter

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About the Author
John Porter
Since he was a boy (some would say he still is) born in Preston, John Porter has always filled his life with music. Now living in the music capital of the North, Manchester, John is looking to write strong, humorous, witty articles that introduce everyone to the gloriousness of music.
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