The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
9
new
SPILL NEWS: CANNONS ANNOUNCE NEW ALBUM ‘EVERYTHING GLOWS’ + RELEASE NEW SINGLE “STARLIGHT” | NORTH AMERICAN CO-HEADLINE TOUR WITH BOB MOSES ON SALE NOW
SPILL NEW MUSIC: MARGARITAS PODRIDAS UNVEIL ANGSTY NEW TRACK “ROMPECABEZAS”
SPILL NEWS: CLEOPATRA ENTERTAINMENT TO RELEASE THE LONG-AWAITED DOCUMENTARY FILM DI’ANNO: IRON MAIDEN’S LOST SINGER
SPILL NEWS: NOAH KAHAN BRINGS THE GREAT DIVIDE TOUR TO LEGENDARY STADIUMS ACROSS NORTH AMERICA THIS SUMMER INCLUDING VANCOUVER AND TORONTO DATES | RELEASES NEW SINGLE AHEAD OF ALBUM DUE APRIL 24
SPILL TRACK OF THE MONTH: MATT BERNINGER – “BLUE MONDAY”
SPILL NEW MUSIC: NOFX DROPS HARD-HITTING POLITICAL ANTHEM “MINNESOTA NAZIS” AMIDST FEDERAL ICE RAIDS SWEEPING THE U.S.
SPILL NEWS: LEEROY STAGGER SIGNS TO CORDOVA BAY RECORDS | SHARES TWO NEW SINGLES CO-PRODUCED WITH JOEL PLASKETT “LOST IN THE FLOOD”/”SWIMMING BACK TO YOU”
SPILL ALBUM PREMIERE: RED ORKESTRA – LETTERS FROM AFAR
SPILL NEW MUSIC: LIBBY EMBER – “LET ME GO”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
744
previous article
SPILL ALBUM REVIEW: GARRY BURNSIDE - IT’S MY TIME NOW
next article
SPILL MUSIC PREMIERE: WRENÉ - "TOMORROW WILL COME (DRIP DROP)"

SPILL ALBUM REVIEW: RISE AGAINST – RICOCHET

Rise Against

RISE AGAINST
RICOCHET
LOMA VISTA

Following a series of singles released since January of this year, Rise Against has returned with their 10th studio album, and their first since 2021’s Nowhere Generation. In addition to shaking up their sound, Ricochet sees the band work with producer Catherine Marks (boygenius, Manchester Orchestra), making for a versatile entry into the punk veteran’s discography.

Ricochet opens with three of the four singles, saving “Prizefighter” for the climatic closer. “Nod” wastes no time kicking down the doors with a salvo of crunching power chords and a driving chorus. Similarly, “I Want It All” is led by a syncopated guitar riff that sees the band play with space in a way reminiscent of latter career Pearl Jam before erupting into the sheer violence of an absolutely explosive chorus. The pulsing shots, accented by Tim McIlrath’s throaty, belting vocals are, without a doubt, among the most gripping moments across the entire album centred around a beyond powerful vocal delivery. The title track follows with a rhythmic acoustic guitar line that evolves into a cinematic and moody chorus. “Ricochet” feels like a composition with subtle elements joining the arrangement with each passing moment as the song builds into something far bigger than it began.

Across the 12 songs, Rise Against demonstrates a range to both their songwriting and performance that has never been flexed quite as far as on Ricochet. Without sacrificing their punk credibility, there is a greater element of refinement to this record that sounds like if U2 still had some teeth – perhaps this is the direction post-punk is headed this decade. While the opening tracks are among the strongest on the album, Ricochet continues to deliver gems throughout, including the behemoth that is “Black Crown”, featuring Manchester Orchestra vocalist, Andy Hull, the longing ballad that is “Gold Long Gone”, and the closing “Prizefighter.”

While promoting the album through a series of intimate acoustic performances and Q&A’s in select cities, including a stop at Toronto’s Museum of Contemporary Art, the band has expressed their desire to deliver an album unlike anything they’ve done in the past. While not quite the sonic departure they had alluded to for their 10th outing, Rise Against sounds hungry, ambitious, and creatively reinvigorated. Ricochet may still very well fit in with the rest of their music, but it is certainly their versatile album to date by a mile. All things considered, Ricochet is the most exciting record to come from Rise Against in years.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: RISE AGAINST – RICOCHET

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
3.1
7.0
Total Spill Rating
3.1
Total Fan Rating
13 ratings
You have rated this
Album Reviews
album reviewalbum reviewsloma vistanowhere generationricochetrise against
album review, album reviews, loma vista, nowhere generation, ricochet, rise against
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsloma vista
 
9.0
Marta Del Grandi

SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE

by Ljubinko Zivkovic on January 30, 2026
MARTA DEL GRANDI DREAM LIFE FIRE RECORDS Some singer-songwriters stick to all the defined lines, if you could call them that of this broadly-defined genre (and they are quite good at it), while there are not so many of them that try to bring in [...]
 
8.0
Kim Moberg

SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS

by Ljubinko Zivkovic on January 30, 2026
KIM MOBERG ALL THAT REALLY MATTERS INDEPENDENT You don’t essentially need to be an innovator that breaks boundaries to come up with good music that could reach quite a number of listeners. As a solo artist, you do need a hefty dose of [...]
 
10
CBGB
10

SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986

by Ljubinko Zivkovic on January 30, 2026
VARIOUS ARTISTS CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986 CHERRY RED RECORDS This is a music collector’s perfect combination—an extensive compilation (box set, effectively) on one of the best labels around that can handle such a [...]
 
8.0
Blackwater Holylight

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

by Aaron Badgley on January 30, 2026
BLACKWATER HOLYLIGHT NOT HERE NOT GONE SUICIDE SQUEEZE RECORDS Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese [...]
 
9.0
Softcult
10

SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW

by Jake Collier on January 30, 2026
SOFTCULT WHEN A FLOWER DOESN’T GROW EASY LIFE RECORDS Softcult’s debut album arrives after a run of EPs that never felt disposable but fully realized on their own, Year of the Snake especially pointing toward something larger. Self-produced by [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
925
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
865
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
688
 
SPILL ALBUM REVIEW: NOFX – A TO H
674
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
624
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
623
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
595
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
542
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
468
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
463
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
462
ENTERTAINMENT HEADLINES