The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: WHERE HISTORY RESONATES – A CONVERSATION WITH PÄR SUNDSTRÖM OF SABATON ON COMPOSITION, COMMUNITY, AND HEAVY METAL’S FUTURE
SPILL FEATURE: WE’RE GOING ON TOUR, SO WHY NOT HAVE A LITTLE BONUS – A CONVERSATION WITH WES MARSKELL OF THE DARCYS
SPILL FEATURE: HOPE AND LOOKING UP – A CONVERSATION WITH CAROLINE MARIE BROOKS
SPILL NEWS: THE ANNUAL ANDY KIM CHRISTMAS RETURNS TO TORONTO’S MASSEY HALL ON DECEMBER 2
SPILL NEWS: MENAHAN STREET BAND SHARE NEW SINGLE “THERE BEFORE THE SUN” | ‘ILLUSIONS’ OUT NOVEMBER 13 VIA DIAMOND WEST
SPILL NEWS: MOUTH ULCERS ANNOUNCE DEBUT LP ‘YOU’RE NOT IN HEAVEN’ & RELEASE LEAD SINGLE “LADY RUST” VIA LAB RECORDS
SPILL NEWS: ORBITAL ANNOUNCE NEW ALBUM ‘OTHER’ OUT MARCH 19 | NEW SINGLE “MOTHER, MAIDEN & CRONE” FT. MAXINE PEAKE OUT NOW
SPILL NEW MUSIC: NORMAL BIAS DROPS HIGHLY ANTICIPATED NEW EBM SINGLE “SOFT POWER”
SPILL FEATURE: THE ART OF BEING SEEN – A CONVERSATION WITH LIAM GUINANE & JUSTIN KEURNTJES OF WINDWAKER
SPILL FEATURE: NOTHING LEFT TO SAY, TOMORROW STARTS TODAY – A CONVERSATION WITH ALEXANDRA ROSE OF THE CRYSTAL TEARDROP
SPILL ALBUM REVIEW: SABATON – LEGENDS
SPILL ALBUM REVIEW: DARREN HAYMAN – I’M YOUR TEAM
SPILL ALBUM REVIEW: SO FAINT – SO FAINT
SPILL ALBUM REVIEW: BRIAN ENO – ANOTHER DAY ON EARTH & DRAWN FROM LIFE (REISSUES)
SPILL ALBUM REVIEW: EXPLODING FLOWERS – ALPHABET WINDOW
SPILL ALBUM REVIEW: ELLA THOMPSON – TRIUMPH AND SADNESS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
1456
Editor Pick
previous article
SPILL TRACK OF THE WEEK: ANGEL OLSEN - "SAFETY DANCE" (MEN WITHOUT HATS COVER)
next article
SPILL ALBUM REVIEW: NIGHT RANGER - ATBPO

SPILL ALBUM REVIEW: GEORGE HARRISON – ALL THINGS MUST PASS (50th ANNIVERSARY EDITION)

George Harrison

George Harrison
All Things Must Pass (50th Anniversary Edition)
Apple/Universal
RATING

All Things Must Pass was originally released in November, 1970. It was George Harrison’s third solo album, following 1968’s soundtrack, Wonderwall Music By George Harrison, and 1969’s  very experimental  Electronic Sound. But, All Things Must Pass was also a very big statement. This was Harrison declaring himself a major force in music, and perhaps most importantly, an equal to Lennon/McCartney. He succeeded on all fronts. This was not only the first triple set to top the charts worldwide, it also earned Harrison rave reviews. It was all deserved and was an immediate classic.

For my money, All Things Must Pass is a perfect album. There is no argument.  Harrison knocked it out of the park with this landmark. It includes two studio albums, plus a third of in studio jams. Most of the songs date back to The Beatle days and The Beatles’ loss is Harrison’s fortune. One can hear The Beatles perform “All Things Must Pass” on Let It Be…Naked and Anthology III, but Harrison’s version soars. It also features a song he co-wrote with Bob Dylan, opening track “I’d Have You Anytime”. It is an interesting choice of an opening song, as it is a slow, moody piece. Although it is amazing, it goes against The Beatles’ golden rule of opening with a solid rocker.

Now, it is getting the 50th Anniversary treatment, although technically this package should have been released last year. So All Things Must Pass is officially 51-years-old and has never sounded better. Dhani Harrison and Paul Hicks have not only dug out unreleased songs, takes, and rehearsals, but have also remixed the original album. In terms of the remix, they have done a fantastic job. They have kept everything that was great on the original while getting rid of the original clutter and condensed sound. All Things Must Pass sounds new and fresh and there is now space in the music.

Harrison enlisted Phil Spector as co-producer, though he often criticized  Spector’s heavy-handed production. He had stated several times that he wanted to bring out the music more, and  Dhani and Hicks have done just that. Fans of the original will find this a whole new listening experience. Give “What Is Life” or “Beware Of Darkness” a spin. They sound fantastic. The same can be said for the other tracks, including the worldwide hit, “My Sweet Lord”. The acoustic guitars sound wonderful and one can hear Harrison’s incredible vocals.

Along with the remix of the album, there are 42 never before heard songs, that range from complete songs, such as “Cosmic Empire”, to rehearsals, demos and outtakes. All of these make for an absolutely fascinating listening experience. “Woman Don’t You Cry For Me (Take 5)” is of particular interest as Harrison would record this six years later for his 33 and ⅓ album. Here it is much rockier and dare I say better. It has an urgency missing from the re-recorded version, which I also love. The acoustic beauty “Mother Divine” should have found a home elsewhere. The bonus tracks are exceptional and a welcome addition. These do not detract from the original release but actually add to it.

The demos and outtakes are equally as fascinating. Give a listen to “The Art Of Dying (Take 1)”. Very different from the released version and features some stellar drumming from Ringo Starr. While others are not so different but shed a different light on the song, such as “Behind That Locked Door (Day One Demo)”. Also worth hearing is “Isn’t It A Pity (Take 27)”, which is sublime.

All Things Must Pass is an incredible album. Harrison was all of 28 when he finished it and stepped away from The Beatles. In doing so, he created a masterpiece, It has not only stood the test of time but redefined the concept of albums. With the bonus Jam section, Harrison let fans have a glimpse behind the curtain. For that reason and many more, such as influencing generations of musicians/artists, All Things Must Pass is certainly one of the most important  releases ever and very deserving of this expanded version.

Fans take note, there are numerous configurations of this release.


Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 soundcloud_flat_2016 youtube_flat_2016 itunes_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: GEORGE HARRISON – ALL THINGS MUST PASS (50th ANNIVERSARY EDITION)

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
7.3
10
Total Spill Rating
7.3
Total Fan Rating
4 ratings
You have rated this
Album Reviews
album reviewalbum reviewsall things must pass (50th anniversary edition)applecosmic empiregeorge harrisonisn't it a pityuniversal music canada
album review, album reviews, all things must pass (50th anniversary edition), apple, cosmic empire, george harrison, isn't it a pity, universal music canada
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsapple
 
8.0
Sabaton

SPILL ALBUM REVIEW: SABATON – LEGENDS

by Chris X on October 17, 2026
SABATON LEGENDS BETTER NOISE MUSIC Some people stumble onto great music naturally. Some require a stray earworm from a passing car window as they munch on their street meat, tapping to Shazam. Some let an unhinged streaming algorithm swallow [...]
 
8.0
Darren Hayman
8.6

SPILL ALBUM REVIEW: DARREN HAYMAN – I’M YOUR TEAM

by Ljubinko Zivkovic on October 16, 2026
DARREN HAYMAN I’M YOUR TEAM AUDIO ANTIHERO Darren Hayman, who to many eccentric pop fans is probably best known for his work with left field pop-rockers Hefner, just might be currently one of the most prolific musicians around. Besides [...]
 
9.0
So Faint
8.8

SPILL ALBUM REVIEW: SO FAINT – SO FAINT

by Ljubinko Zivkovic on October 16, 2026
SO FAINT SO FAINT BEETLE BOMB RECORDS A chance studio meeting and 10 years of friendship that ensued this time around produced a seemingly unassuming, but quite an empowering album, that is So Faint. That chance meeting in a Vancouver studio was [...]
 
9.0
Brian Eno

SPILL ALBUM REVIEW: BRIAN ENO – ANOTHER DAY ON EARTH & DRAWN FROM LIFE (REISSUES)

by Aaron Badgley on October 16, 2026
BRIAN ENO ANOTHER DAY ON EARTH & DRAWN FROM LIFE (REISSUES) OPAL RECORDS In 1988, Brian Eno set up his record label, Opal Records, which had evolved from the management company he and his wife (Anthea Norman-Taylor) set up (Opal Management [...]
 
8.0
Exploding Flowers
9.4

SPILL ALBUM REVIEW: EXPLODING FLOWERS – ALPHABET WINDOW

by Ljubinko Zivkovic on October 16, 2026
EXPLODING FLOWERS ALPHABET WINDOW MERITORIO RECORDS You don’t have to invent (or re-invent) the wheel, in this case, a microphone, guitar or any music related thing for your music to be good a truly listenable. You possibly just need to [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SABATON – LEGENDS
8.0
 
SPILL ALBUM REVIEW: DARREN HAYMAN – I’M YOUR TEAM
8.0
8.6
 
SPILL ALBUM REVIEW: SO FAINT – SO FAINT
9.0
8.8
 
SPILL ALBUM REVIEW: BRIAN ENO – ANOTHER DAY ON EARTH & D...
9.0
 
SPILL ALBUM REVIEW: EXPLODING FLOWERS – ALPHABET WINDOW
8.0
9.4

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
2407
 
SPILL ALBUM REVIEW: ROGER TAYLOR – VIOLENCE INSANE IN A BEAUTIFUL WORLD
1439
 
SPILL NEW MUSIC: DRAGGED UP – “RAPUNZEL”
1386
 
SPILL NEWS: DJ SHADOW ANNOUNCES DETAILS OF 30th ANNIVERSARY EDITION OF HIS MUCH-ACCLAIMED DEBUT ALBUM ‘ENDTRODUCING’ | OUT SEPTEMBER 18 VIA MO’WAX/[PIAS] RECORDINGS
1287
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
1269
 
SPILL NEWS: TRICKY’S NORTH AMERICAN TOUR BEGINS THIS FRIDAY SEPTEMBER 18 | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT VIA FALSE IDOLS
1123
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1110
 
SPILL NEWS: DREW RYDER SMITH TEAMS WITH STEVE EARLE FOR NEW SINGLE AND VIDEO “TEXTILE TOWN” | MUSIC VIDEO FILMED IN FORMER TEXTILE MILLS BRINGS TO LIFE A DEEPLY PERSONAL SONG INSPIRED BY SOUTHERN M...
1012
 
SPILL NEW MUSIC: MEL DENISSE – “HUNTED”
963
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
961
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
916
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
766
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
739
ENTERTAINMENT HEADLINES