The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: NEW RELEASE FROM THE BEATLES “MICHELLE – TAKE 1” | SPECIAL EXPANDED EDITION OF ‘RUBBER SOUL’ OUT OCTOBER 2 ON APPLE/UNIVERSAL MUSIC
SPILL NEWS: PINK FUZZ TO TOUR WITH THE WELL IN OCTOBER | NEW SINGLE “MANIPULATOR” OUT NOW
SPILL NEW MUSIC: MATT LANGE ANNOUNCES NEW ALBUM RELEASE WITH ‘RECOVERY’ | A COLLECTION OF 13 ORIGINAL SONGS & INSPIRED REIMAGINATIONS OF WORKS BY NINE INCH NAILS, MAZZY STAR, FAILURE & SLEEP TOKEN
SPILL FEATURE: ONES: THE BEATLES #1 HITS – A CONVERSATION WITH FRANK ZIRONE
SPILL VIDEO PREMIERE: JOAN AS POLICE WOMAN – “FEED THE LIGHT”
SPILL FESTIVAL REVIEW: CALGARY FOLK MUSIC FESTIVAL 2026 – DAY 4 @ PRINCE’S ISLAND PARK, CALGARY (AB)
SPILL NEW MUSIC: CAPITOL/UME CELEBRATES THE 20th ANNIVERSARY OF BOB SEGER’S ‘FACE THE PROMISE’ WITH EXPANDED EDITION
SPILL NEWS: THE CRYSTAL METHOD’S ICONIC ALBUM ‘TWEEKEND’ TURNS 25 | LIMITED EDITION VINYL, REMIX PACKAGE & FALL TOUR TO MARK THE ANNIVERSARY
SPILL NEW MUSIC: DEF SERA FEAT. OATMILKANDCODEINE – “UNCOMFORTABLE”
SPILL NEWS: UNIVERSAL PICTURES CONTENT GROUP AND BLEECKER STREET’S CROSSWALK ACQUIRE CONCERT FILM ‘GEORGE MICHAEL: THE FAITH TOUR’
SPILL NEW MUSIC: TEENAGE FANCLUB ANNOUNCES NEW ALBUM ‘DO NOT DARE TO DREAM’ OUT OCTOBER 9 ON MERGE RECORDS | STREAM NEW SINGLE “DAY IN THE SUN”
SPILL NEW MUSIC: ERIC SCHENKMAN – “RECIPE”
SPILL NEW MUSIC: RADIO FREE ALICE TIRELESSLY GRIN AND BEAR IT ON NEW SINGLE “KICK IN THE SHINS” | RECENTLY ADDED TO CHICAGO’S RIOT FEST LINEUP
SPILL FESTIVAL REVIEW: CALGARY FOLK MUSIC FESTIVAL 2026 – DAY 3 @ PRINCE’S ISLAND PARK, CALGARY (AB)
SPILL NEW MUSIC: JONNY COUCH – “WHERE THE SIDEWALK ENDS”
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
1369
Editor Pick
previous article
SPILL TRACK OF THE WEEK: ANGEL OLSEN - "SAFETY DANCE" (MEN WITHOUT HATS COVER)
next article
SPILL ALBUM REVIEW: NIGHT RANGER - ATBPO

SPILL ALBUM REVIEW: GEORGE HARRISON – ALL THINGS MUST PASS (50th ANNIVERSARY EDITION)

George Harrison

George Harrison
All Things Must Pass (50th Anniversary Edition)
Apple/Universal
RATING

All Things Must Pass was originally released in November, 1970. It was George Harrison’s third solo album, following 1968’s soundtrack, Wonderwall Music By George Harrison, and 1969’s  very experimental  Electronic Sound. But, All Things Must Pass was also a very big statement. This was Harrison declaring himself a major force in music, and perhaps most importantly, an equal to Lennon/McCartney. He succeeded on all fronts. This was not only the first triple set to top the charts worldwide, it also earned Harrison rave reviews. It was all deserved and was an immediate classic.

For my money, All Things Must Pass is a perfect album. There is no argument.  Harrison knocked it out of the park with this landmark. It includes two studio albums, plus a third of in studio jams. Most of the songs date back to The Beatle days and The Beatles’ loss is Harrison’s fortune. One can hear The Beatles perform “All Things Must Pass” on Let It Be…Naked and Anthology III, but Harrison’s version soars. It also features a song he co-wrote with Bob Dylan, opening track “I’d Have You Anytime”. It is an interesting choice of an opening song, as it is a slow, moody piece. Although it is amazing, it goes against The Beatles’ golden rule of opening with a solid rocker.

Now, it is getting the 50th Anniversary treatment, although technically this package should have been released last year. So All Things Must Pass is officially 51-years-old and has never sounded better. Dhani Harrison and Paul Hicks have not only dug out unreleased songs, takes, and rehearsals, but have also remixed the original album. In terms of the remix, they have done a fantastic job. They have kept everything that was great on the original while getting rid of the original clutter and condensed sound. All Things Must Pass sounds new and fresh and there is now space in the music.

Harrison enlisted Phil Spector as co-producer, though he often criticized  Spector’s heavy-handed production. He had stated several times that he wanted to bring out the music more, and  Dhani and Hicks have done just that. Fans of the original will find this a whole new listening experience. Give “What Is Life” or “Beware Of Darkness” a spin. They sound fantastic. The same can be said for the other tracks, including the worldwide hit, “My Sweet Lord”. The acoustic guitars sound wonderful and one can hear Harrison’s incredible vocals.

Along with the remix of the album, there are 42 never before heard songs, that range from complete songs, such as “Cosmic Empire”, to rehearsals, demos and outtakes. All of these make for an absolutely fascinating listening experience. “Woman Don’t You Cry For Me (Take 5)” is of particular interest as Harrison would record this six years later for his 33 and ⅓ album. Here it is much rockier and dare I say better. It has an urgency missing from the re-recorded version, which I also love. The acoustic beauty “Mother Divine” should have found a home elsewhere. The bonus tracks are exceptional and a welcome addition. These do not detract from the original release but actually add to it.

The demos and outtakes are equally as fascinating. Give a listen to “The Art Of Dying (Take 1)”. Very different from the released version and features some stellar drumming from Ringo Starr. While others are not so different but shed a different light on the song, such as “Behind That Locked Door (Day One Demo)”. Also worth hearing is “Isn’t It A Pity (Take 27)”, which is sublime.

All Things Must Pass is an incredible album. Harrison was all of 28 when he finished it and stepped away from The Beatles. In doing so, he created a masterpiece, It has not only stood the test of time but redefined the concept of albums. With the bonus Jam section, Harrison let fans have a glimpse behind the curtain. For that reason and many more, such as influencing generations of musicians/artists, All Things Must Pass is certainly one of the most important  releases ever and very deserving of this expanded version.

Fans take note, there are numerous configurations of this release.


Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 soundcloud_flat_2016 youtube_flat_2016 itunes_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: GEORGE HARRISON – ALL THINGS MUST PASS (50th ANNIVERSARY EDITION)

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
7.3
10
Total Spill Rating
7.3
Total Fan Rating
4 ratings
You have rated this
Album Reviews
album reviewalbum reviewsall things must pass (50th anniversary edition)applecosmic empiregeorge harrisonisn't it a pityuniversal music canada
album review, album reviews, all things must pass (50th anniversary edition), apple, cosmic empire, george harrison, isn't it a pity, universal music canada
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsapple
 
8.0
Kelz
5.0

SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY

by Ljubinko Zivkovic on July 24, 2026
KELZ A SWEET PASSERBY BAYONET RECORDS Having something that is like a whisper of a voice can be either a blessing or a curse. It all depends on what kind of musical setting you give it, and of course, whether it is good or not so good. [...]
 
8.0
Litvar
7.5

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 24, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
8.0
Soda Gumball
6.2

SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!

by Ljubinko Zivkovic on July 24, 2026
SODA GUMBALL SUPER HONEY TEASPOON! DEN TAPES Presenting a local music scene to a wider audience can be an arduous task if it is a scene that has already made a name for itself. Den Tapes (yes, just cassette tapes and Bandcamp) is one of those [...]
 
8.0
Hunter As a Horse
4.6

SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN

by Aaron Badgley on July 24, 2026
HUNTER AS A HORSE LEVIATHAN METROPOLIS RECORDS Hunter As a Horse (HAAH) is, in actuality, one person. She is South African musician and vocalist Mia van Wyk, and Leviathan is her debut album. She has released EPs and singles since 2013, but [...]
 
9.0
John Ford

SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE

by Aaron Badgley on July 24, 2026
JOHN FORD BETWEEN A ROCK AND A HARD PLACE ICONOCLASSIC RECORDS It has been five years since John Ford has released a solo album. He has been busy performing, helping his former bandmate David Cousins for the last Strawbs’ release, and working [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
8.0
5.0
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
7.5
 
SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!
8.0
6.2
 
SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN
8.0
4.6
 
SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1281
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
782
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
772
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
734
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
650
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
607
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
538
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
516
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
514
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
483
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
440
ENTERTAINMENT HEADLINES