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SPILL ALBUM PREMIERE: ALEX SOUTHEY – NOISE FOR THE BLACK PAINTINGS OF QUINTA DEL SORDO: PART I
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SPILL ALBUM REVIEW: ALEXISONFIRE – OTHERNESS

Alexisonfire

Alexisonfire
Otherness
Dine Alone Records

Despite releasing a string of stellar singles throughout 2019 to 2020, Niagara, ON’s very own Alexisonfire have now made a proper return that is nothing short of triumphant with their latest album, Otherness. Following a rollout of three singles, Otherness is the first full-length studio release in 13 years and sees the post-hardcore veterans at full force over the course of 10 songs.

Opening with the rhythmic and blistering fury of “Committed To The Con”, Otherness kicks off on on an explosive note with a suspenseful buildup. Intro and verse aside, however, the song’s chorus is simply incredible, with Dallas Green belting at the top of his vocal range overtop George Pettit’s and Wade MacNeil’s throat wrenching screams. It’s worth noting that the guitar tones across the record are carefully curated to demonstrate a distinct sound. This is especially apparent on both “Committed To The Con” and the following track, “Sweet Dreams Of Otherness”, the latter of which sees the band expertly play with soft and heavy dynamics as they introduce a strong alternative rock influence into their signature sound. This is best heard between the contrast of the verse and – yet another masterfully written – chorus.

As Otherness continues forward, it sees Alexisonfire continue to dig deeper into their latest evolution of their sound, one which almost bridges the gap between their classic material and Green’s solo project, City And Colour through a synthesis of alternative rock textures and their use of melody and densely layered vocal harmonies set against waves of crushing distortion and hardcore nostalgia. This is perhaps best developed on “Blue Spade” and “Dark Night Of The Soul”, a pair of tracks that sound as if they were meant to be an 11-min epic of highs and lows, led by fuzz-laden riffs, ambient verses, and massive choruses, accented by a ripping solo, and an overall growing sense of climax among chaos. Additional highlights include the absolute sledgehammer to the side of the head that is “Survivor’s Guilt” and the concluding track, “World Stops Turning”, which brings the album to a close with an extended solo jam that is bound to be an exciting part of their live show.

All in all, Otherness is a refined album that falls somewhere in between post-hardcore and alternative rock, demonstrating a matured take on songwriting and performance from Alexisonfire. 20 years into the game, and over a decade since the release of Old Crows/Young Cardinals, Otherness is a sonic evolution that will leave fans excited for what is the come next and the subsequent tour. While upon first listen, Alexisonfire did not immediately grab me with their latest record, Otherness has been on steady repeat, shining brighter with each play for its subtle brilliance and power; ultimately, Otherness is not only among Alexisonfire’s strongest releases, it very well could stand among the best records of 2022.



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SPILL ALBUM REVIEW: ALEXISONFIRE – OTHERNESS

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album reviewalbum reviewsalexisonfirecity and colourdallas greendine alone recordsothernesssweet dreams of othernesswade macneil
album review, album reviews, alexisonfire, city and colour, dallas green, dine alone records, otherness, sweet dreams of otherness, wade macneil
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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