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SPILL NEWS: LOCAL NON-PROFIT 'SAVE TORONTO MUSIC VENUES' WORKS TO BRING LIFE BACK TO TORONTO MUSIC INDUSTRY

SPILL ALBUM REVIEW: BAT LIPS – BAT LIPS III

Bat Lips

BAT LIPS
BAT LIPS III
INDEPENDENT

Having released Bat Lips II in 2019, the Austin-based metal outfit Bat Lips have returned. For their third, the trio has released the three-song EP Bat Lips III, a brutal tour de force of alternative metal.

Bat Lips III opens with “Cybertooth”, a blistering song fuelled by throaty screams and winding passages that feel inspired by a unique blend of classic thrash metal and ‘90s alternative rock of the likes of Faith No More. The song is further aided by a dive-bombing solo in the tone of Dimebag Darrell and a shifting pulse that dips into a half-time feel, adding a sense of momentum.

The EP continues with the lead single, “Subway Splatter”. Largely more melodic than the previous song – particularly the verse and pre-chorus – “Subway Splatter” showcases a level of range in Bat Lip’s songwriting. Lead by crunching guitars, a distorted bass riff, and drums that snap hard, “Subway Splatter” is a far more modern sounding track until the band break ins into a double-time, shredding guitar solo, nostalgic for Megadeth. The album comes to a close with “Transmission From Our Mistress Scepter”, a song with a far more alternative take on modern metal, making it truly unique to Bat Lips. It is a hard-hitting, sludgy, and abrasive track that continues to build on the unique brand of songwriting and performance behind Bat Lips III.

Clocking in at just over twelve-and-a-half minutes, Bat Lips III is an absolute ripper of a record that pulls from several artists, eras, and subgenres of metal for inspiration. As a result, Bat Lips continue to build a unique sound for themselves as an underground, alternative metal band that should be considered a sensation among their scene.



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SPILL ALBUM REVIEW: BAT LIPS – BAT LIPS III

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Gerrod Harris

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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