The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: PUNK DUO THE MEFFS REVEAL NEW SINGLE “DISORDER (WAKE UP)” + OFFICIAL VIDEO
SPILL NEW MUSIC: UGLY OZO ‘DIVE’ EP OUT NOW VIA REX RECS
SPILL NEW MUSIC: MISSOULA (BROOKS WACKERMAN OF AVENGED SEVENFOLD & JOHN KONESKY OF TENACIOUS D) RELEASE NEW SINGLE “CRIMSON”
SPILL NEW MUSIC: ANNA KATARINA – “BACKGROUND NOISE”
SPILL NEW MUSIC: DOVE – “AFTER ALL THE RAIN HAS GONE” B/W “GRIND ON”
SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER
SPILL ALBUM REVIEW: SEVENDUST – ONE
SPILL NEW MUSIC: MONTREAL’S TAXI GIRLS KICK DOWN THE DOORS WITH NEW SINGLE “SAY IT!”
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE
SPILL ALBUM REVIEW: KACEY MUSGRAVES – MIDDLE OF NOWHERE
SPILL ALBUM REVIEW: ANDERVEL – IRONCLAD & PALM TREES
SPILL ALBUM REVIEW: TAJ MAHAL & THE PHANTOM BLUES BAND – TIME
SPILL ALBUM REVIEW: CHARMIAN DEVI – DIAMOND HOUR
SPILL ALBUM REVIEW: MAYA HAWKE – MAITREYA CORSO
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
1890
Editor Pick
previous article
SPILL ALBUM REVIEW: LAFFEY - LOOKING AT THE SKY
next article
SPILL ALBUM REVIEW: VALERIE RENAY - YOUR OWN SHADOW

SPILL ALBUM REVIEW: ALTER BRIDGE – LIVE AT THE ROYAL ALBERT HALL

Alter Bridge

Alter Bridge
Live At The Royal Albert Hall
Napalm Records

The last few years have proven to be both incredibly busy and fulfilling for the members of Alter Bridge. In 2016, the band released their most recent studio album, The Last Hero, and following a massive and fantastic tour in support of the album, the band released Live At The O2 Arena + Rarities – an in-depth collection documenting said tour while also releasing a vast amount of unreleased tracks throughout their career – in 2017. Since then, lead guitarist Mark Tremonti released his latest album, A Dying Machine, with his self-titled side project, Tremonti, while lead vocalist and guitarist Myles Kennedy made his solo debut with Year Of The Tiger – a thrilling acoustic deviation from any expectations. Now Alter Bridge is returning with what is likely the final chapter of the fruitful saga that is The Last Hero with Live At The Royal Albert Hall, a live album that draws from the band’s two performances at the historic venue in October 2017 where the band was backed by the 52-piece Parallax Orchestra led by conductor Simon Dobson. Much like Metallica’s S&M (1999) and Mad Season’s Sonic Evolution (2015), Live At The Royal Albert Hall is an epic release that stands as one of the best modern live albums there is.

With the opening track, “Slip To The Void”, it is immediately clear that the blend between Alter Bridge’s hard hitting rock and the lush textures of the Parallax Orchestra are a perfect match. The use of orchestra is thick, dense, and perfectly interwoven with the band, allowing for the strings and horns to be subtly present throughout the record adding a rich layer of colour. At times, this addition can sound uplifting (“Before Tomorrow Comes”) while at others, it can add an ominous sense of heaviness that simply cannot be reached by a rock band along (“Ties That Bind” and “Ghost Of Days Gone By”). What is most special about this collaboration is that it only adds to the excitement, energy, and musicianship found at every Alter Bridge concert. This is only furthered when paired with the visuals of the DVD/Blu-Ray which also documents the show, along with behind the scenes footage and interviews with the band, and sold through special edition packages.

As always, Alter Bridge comes across as one of the tightest hard rock bands of their time. Kennedy sings with an emotive voice that is beyond powerful while he and Tremonti trade off lead lines to create a perfectly interwoven wall of guitar where it is nearly impossible to determine where the rhythm line ends and the lead line begins. Truly, if Live At The Royal Albert Hall does anything beyond display the perfect synchronicity between rock and classical performance, is that it captures Alter Bridge in what appears to be a perfect performance. Of the album’s twenty-one songs – running well over the two hour mark – “Cry Of Achilles”, “Fortress”, “Addicted To Pain”, and “The Other Side” all stand out as some of the best hard hitting tracks, while “Wonderful Life/Watch Over You” and “In Loving Memory”, provide a rich sense of balance, showcasing the true versatility of the band.

It seems with each entry, Alter Bridge takes things a step further. Live At The Royal Albert Hall is no different as it brings their current chapter, The Last Hero saga which first began in 2016, to a dramatic and mighty close. As a live album, Live At The Royal Albert Hall is a brilliant display of the skill and sheet talent among not only the four members of the band, but also that of The Parallax Orchestra. The performance is nothing short of stunning and will leave listeners captivated from front to back. As a part of a greater whole – the conclusion to the band’s current era – Live At The Royal Albert Hall is as strong as one would expect from a band that refuses to sit back on their coattails despite being among the most premier rock artists of the last decade. Live At The Royal Albert Hall is an education in live performance and should be remembered as one of the greatest live albums of the last two decades.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: ALTER BRIDGE – LIVE AT THE ROYAL ALBERT HALL

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
10
Total Spill Rating
10
Total Fan Rating
26 ratings
You have rated this
Album Reviews
album reviewalbum reviewsalter bridgelive at the royal albert hallnapalm recordsthe parallax orchestra
album review, album reviews, alter bridge, live at the royal albert hall, napalm records, the parallax orchestra
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsalter bridge
 
10
Haste the Day

SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER

by Samantha Andujar on May 1, 2026
HASTE THE DAY DISSENTER SOLID STATE RECORDS There are two different kinds of comeback albums. There are albums that return a band into the world, and there are albums where that return feels more internal than external. Coming into Haste the [...]
 
9.0
Sevendust

SPILL ALBUM REVIEW: SEVENDUST – ONE

by Jasmine Bhoodwah on May 1, 2026
SEVENDUST ONE NAPALM RECORDS The music industry is, as many know, a hard one to gain notoriety in. While some bands can make it to insane amounts of fame, there are some bands that have fans in a ‘medium’ level. In the rock and metal genres in [...]
 
7.0
A Book for Wanderers
10

SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION

by Gerrod Harris on May 1, 2026
A BOOK FOR WANDERERS MOTION POTION INDEPENDENT Anthony Botting, the singer and guitarist from the St. Catharines-based independent punk outfit, The Cocktails, has released his debut solo record under the name A Book For Wanderers. Aside from a [...]
 
8.0
Modern Woman
10

SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD

by Roxy Macdonald on May 1, 2026
MODERN WOMAN JOHNNY’S DREAMWORLD ONE LITTLE INDEPENDENT RECORDS Johnny’s Dreamworld, the debut album from English alt-rock band Modern Woman, isn’t for the faint of heart. It’s a screeching, squealing, whirling hurricane of sounds and emotions [...]
 
8.0
Valley Boy
10

SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE

by Ljubinko Zivkovic on May 1, 2026
VALLEY BOY CHILDREN OF DIVORCE INDEPENDENT With a fresh moniker that is Valley Boy, and a debut album titled Children of Divorce, initially you just might think that you are encountering the music of this Valley Boy (real name James Alan Ghaleb [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER
10
 
SPILL ALBUM REVIEW: SEVENDUST – ONE
9.0
 
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
7.0
10
 
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
8.0
10
 
SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE
8.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3455
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
938
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
907
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
878
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
872
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
775
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
749
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
739
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
736
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
567
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
554
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
526
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
521
ENTERTAINMENT HEADLINES