The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: SIGNALS FROM THE FUTURE: INTRODUCING THE LUCY DREAMS PERFUME
SPILL NEW MUSIC: KMFDM – “ENEMY (INHALT GELD ’88 REMIX)”
SPILL NEW MUSIC: RUSH CONTINUE ‘FIFTY SOMETHING’ CELEBRATION WITH ‘2112 (50TH ANNIVERSARY)’ AND ‘THE SPIRIT OF RADIO: GREATEST HITS 1974-1987’
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHIODOS IN TORONTO AT THE CONCERT HALL ON AUGUST 19!
SPILL NEW MUSIC: ARIANA FIG – “I HOPE YOU LOVE ME”
SPILL NEW MUSIC: ARK IDENTITY DELIVERS A TENSE, SURREAL JOURNEY ON GENRE-DEFYING NEW SINGLE “SIGNALS”
SPILL VIDEO PREMIERE: SLEDDING – “MY GOLDEN TEMPO”
SPILL MUSIC PREMIERE: GO PUBLIC – “DREAM OVER”
SPILL NEW MUSIC: M. WOODROE RELEASE BRAND NEW SINGLE “CARTE BLANCHE” VIA VENN RECORDS | DEBUT EP ‘THE TREATMENT OF FRACTURES’ ARRIVES SEPTEMBER 18
SPILL NEWS: CAT CLYDE ANNOUNCES CO-HEADLINE TOUR WITH DEAN JOHNSON IN WESTERN U.S. & CANADA | ACCLAIMED NEW ALBUM ‘MUD BLOOD BONE’ OUT NOW
SPILL NEWS: BETTY MOON’S 2003 ALBUM ‘DOLL MACHINE’ ARRIVES ON STREAMING PLATFORMS FOR THE FIRST TIME
SPILL NEWS: BARENAKED LADIES OFFER WISDOM & WIT ON TENDER NEW SONG “CAREFUL (FOR DEE)”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
603
Editor Pick
previous article
SPILL ALBUM REVIEW: KANSAS - LEFTOVERTURE LIVE AND BEYOND
next article
SPILL FEATURE: THE SINGING EARTH - A Q&A CONVERSATION WITH BARRETT MARTIN

SPILL ALBUM REVIEW: PRIMITIVE RACE – SOUL PRETENDER

Primitive Race

Primitive Race
Soul Pretender
Metropolis Records

Following the shocking passing of former Faith No More, Bad Brains, and VUA vocalist, Chuck Mosley on November 9th, Primitive Race’s sophomore album, Soul Pretender, is as triumphant as it is marred in tragedy. The album serves as follow-up to their 2015 self-titled debut in which Mosley was featured as the band’s new lead singer, rounding out the super group consisting of Chris Knicker, Erie Loch (LUXT, Blownload, Exageist), Mark Gemini Thwaite (Peter Murphy, Tricky, Gary Numan), and Dale Crover (The Melvins). In memory of their friend, Primitive Race- have decided to donate all 2018 record sales to MusiCares, a foundation that aides musicians in times of medical, personal, and financial struggles with an emphasis on addiction and recovery. Soul Pretender stands as both a worthy swansong to Mosley as well as a major step forward for Primitive Race as one alternative rocks strongest modern acts.

Unlike their debut self-titled album, Soul Pretender is a departure from the industrial rock and large use of electronic textures. Instead, the industrial influence takes a subtle role that resides more in the tone of the record. Even before the passing of Mosley, Soul Pretender was a very dark sounding record that was reminiscent to the emotion heard in the works of the likes of Filter and Nine Inch Nails; however, the album has only grown a darker presence since Mosley’s passing less than a week after its release. Sonically, Primitive Race has traded its digital soundscapes for an array of guitars, keyboards, and drums, resulting in a sound that feels more aggressive, organic, and raw. “Bed Six” is one of the best examples of how Primitive Race’s new sound has brought the band to the forefront of modern alternative rock with the song’s use of punk chords, grungy solos, and hard-hitting riffs. Quite similarly, “Stepping Stone” is a sludgy and gloomy trip that feels like is could be among Alice In Chains greatest hits. “Take It All” on the other hand is a heavy upbeat number with a punchy verse and chorus that has quality to a song that could become an anthem for the band, making this track among the best across the ten songs that Soul Pretender delivers.

Mosley’s vocal performance on the album is nothing short of stellar. While he first made a commotion on his recorded debut with Faith No More on their first album, We Care A Lot, which featured a dynamic single of the same name. His vocals shine as much now, if not more, than they did back in 1985. In many ways, Soul Pretender stands as a career high for him, with his voice having aged incredibly well. Ranging from haunting on the title track to bombastic and commanding on “Take It All” and “Cry Out”, it’s clear that Mosley still stands as one of alternative rocks more influential voices, among the likes of Chris Cornell, Scott Weiland, and Layne Staley. The album’s closing track, “Dancing on the Sun” is not only one of the strongest tracks on the album, but was apparently also special to Mosley. While it is hard to say for certain, it is definitely one of his more dynamic and melodic vocal performances on the record.

Mosley discussed Soul Pretender with me during our interview about two months ago, praising it as unlike anything he had ever heard and claiming that it spoke to him in a way that he felt beyond compelled to work on this project. After listening to the album, I can understand why Mosley was drawn to the project as Soul Pretender is a unique and seamless collision of alternative, industrial, and punk rock. Just as Mosley said, it really is unlike anything else. His pride for the album as a whole was not only completely justified, but his own performance stands out as one of the best among his diverse career. While it is a common cliché to claim someone went out with a bang at the top of their game, it’s clear that Mosley truly did. As a whole, Soul Pretender, is an excellent record and a must hear for fans of 90’s alternative and hard rock as well as those who prefer modern rock from the last decade. After listening to Soul Pretender a number of times, it is clear that Primitive Race is truly a band to watch out for.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016 youtube_flat_2016 spotify_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: PRIMITIVE RACE – SOUL PRETENDER

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
10
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewsbad brainschuck mosleyfaith no moremetropolis recordsprimitive racesoul pretendervua
album reviews, bad brains, chuck mosley, faith no more, metropolis records, primitive race, soul pretender, vua
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewsbad brainschuck mosley
 
8.0
The Mountain Goats

SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS

by Nathan Pike on August 7, 2026
THE MOUNTAIN GOATS DAYS CADMEAN DAWN RECORDS Reviewing a Mountain Goats album can be a bit of a tall order. It’s like trying to describe the taste of an apple to an apple virgin. There are so many variables and textures and tastes that [...]
 
8.0
Cancer Bats
8.8

SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT

by Gerrod Harris on August 7, 2026
CANCER BATS GIVE ME DIRT BAT SKULL RECORDS/NEW DAMAGE RECORDS Riding high off the 20-year anniversary of their debut album, Birthing The Giant, which was celebrated with a triumphant cross-Canada tour, Cancer Bats have returned with Give Me [...]
 
9.0
Strawberry Alarm Clock
8.5

SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?

by Aaron Badgley on August 7, 2026
STRAWBERRY ALARM CLOCK WHERE’S ONE? BIG STIR RECORDS When Strawberry Alarm Clock formed in 1967, it was really the coming together of two bands (Thee Sixpence and Waterfyrd Traene), and when they released their debut single, “Incense and [...]
 
10
John Carpenter
6.5

SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL

by Samantha Andujar on August 7, 2026
JOHN CARPENTER CATHEDRAL SACRED BONES RECORDS  John Carpenter has long been known for turning nightmares into something tangible. For Carpenter’s new album, Cathedral, this is no different. In many ways, it grimly depicts a setting befitting of [...]
 
7.0
Charlie Edward
9.0

SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK

by Gerrod Harris on July 31, 2026
CHARLIE EDWARD PUSHING MY LUCK ADA/WARNER MUSIC CANADA When not sharing the stage with Big Wreck, Joe Perry, Mötley Crüe, or Greta Van Fleet, Toronto’s Charlie Edward has spent much of the last year writing and recording the follow-up to his [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
8.0
 
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
8.0
8.8
 
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
9.0
8.5
 
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
10
6.5
 
SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK
7.0
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
980
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
777
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
749
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
661
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
658
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
654
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
556
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
541
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
526
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
489
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
451
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
448
ENTERTAINMENT HEADLINES