The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “SWITCH UP” OUT NOW
SPILL NEW MUSIC: RIKAS RELEASE NEW EP ‘BEDROOM TAPES’ + SHARE “MEXICO CITY”
SPILL NEW MUSIC: NEW RELEASE FROM PAUL McCARTNEY & RINGO STARR “HOME TO US”
SPILL NEW MUSIC: ANN WILSON RELEASES “NOTHING BUT LOVE” | A SONG WRITTEN WITH BURT BACHARACH
SPILL NEWS: CANADA’S WALK OF FAMERS LIGHTHOUSE CELEBRATE 35th ANNIVERSARY OF ‘ONE FINE MORNING’ IN CONCERT HALL HOMECOMING JUNE 27
SPILL NEWS: SLED ISLAND MUSIC & ARTS FESTIVAL ANNOUNCES FULL LINEUP AND SCHEDULE FOR 2026
SPILL TRACK OF THE MONTH: WILLIAM BLEAK – “BLACK AND BLUE”
SPILL FEATURE: SONGS ARE JUST CONSTANTLY EVOLVING – A CONVERSATION WITH SPENCER KRUG
SPILL FEATURE: THE MORNING SUN STILL SHINES – A CONVERSATION WITH DON DANNEMANN OF THE CYRKLE
SPILL VIDEO PREMIERE: KRISTA HARTMAN – “MOON SALOON”
SPILL LIVE REVIEW: FLEA & THE HONORA BAND @ THE OPERA HOUSE, TORONTO
SPILL CONTEST: WIN 1 OF 2 PAIRS OF TICKETS TO SEE SATCHVAI BAND AT MERIDIAN HALL ON MAY 13!
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
186
previous article
SPILL ALBUM REVIEW: SOFTCULT - WHEN A FLOWER DOESN’T GROW
next article
SPILL ALBUM REVIEW: VARIOUS ARTISTS - CBGB - A NEW YORK CITY SOUNDTRACK 1975-1986

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

Blackwater Holylight

BLACKWATER HOLYLIGHT
NOT HERE NOT GONE
SUICIDE SQUEEZE RECORDS

Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese Dorsay (drums), and Mikayla Mayhew (guitar). They get some help from former member Sarah McKenna (synthesizer), Camille Getz (violin) and David Sitek (beats on “Giraffe”). Not Here Not Gone is their fourth album, and their first since 2021’s Silence/Motion. It is also their first album as a trio since the departure of McKenna. With Not Here Not Gone, the trio embarks
on an album full of fascinating sonic sounds and landscapes. This is a grinding rock album with elements of shoegaze, rock, and even a little prog. It may seem to be all over the place, but really, it all comes together for a very cohesive and exciting album.

The album opens with the grinding guitars of “How Will You Feel”. It is pretty clear from the get-go that this is not a happy, carefree album. Instead, Blackwater Holylight produced a moody album that takes the listener into some dark corners of the room. The song, as with the rest of the album, is anger tempered with a great deal of sadness. And that is the beauty of it. And the other brilliant thing about Not Here Not Gone is that it is not a ‘grunge’ or ‘punk’ album. Yes, those genres can be heard throughout, but there is so much more.

The droning, beat heavy “Giraffe”, for example, an interesting and far too short instrumental breaks up the album almost midway, turning the corner to present a band who is comfortable with slow, melodic songs that build up. “Void To Be” starts with a single bass, and almost whispering vocals before it launches into its full effect. But it does not explode to heavy grunge, but rather straight-ahead rock. Or a song such as “Fade,” which does exactly that, it fades into a majestic song. Faris’s vocals are brilliant throughout but especially on “Fade.”

The album closes with the brilliant, and my favourite track on the album, “Poppyfields.” The song opens with a slow burning guitar and bass duel with the steady beat from Dorsey. At about two minutes it sounds like the song is finished, but there is still five minutes ahead. They shift gears and close the album with a slower, but still aggressive, gritty rock song. It is a work of art, and it bookends the album perfectly with “How Will You Feel” as the opener.

Not Here Not Gone is an excellent album. Although it falls in the punk-rock-shoegaze genre file, it really is a diverse, exciting album. Blackwater Holylight is an excellent band who are willing to explore and experiment and not stick to one certain sound. They have come up with an album that gets better with each spin on the turntable because there is always something new to discover within the grooves. Not Here Not Gone is also a perfect soundtrack for the chaos in your life and in the world. Put it on, turn it up, and let it grab you.



Artist Links

website_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsblackwater holylightheavy whynot here not gonesuicide squeeze
album review, album reviews, blackwater holylight, heavy why, not here not gone, suicide squeeze
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsblackwater holylight
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Stephen Lussier on May 12, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]
 
8.0
The Lemon Twigs
10

SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!

by Joseph Mastel on May 8, 2026
THE LEMON TWIGS  LOOK FOR YOUR MIND! CAPTURED TRACKS  You can always count on brothers Brian and Michael D’Addario of The Lemon Twigs to deliver excellently crafted pop and rock gems with a fresh spin. They have become known for their amazing [...]
 
8.0
Dee Long
10

SPILL ALBUM REVIEW: DEE LONG – WATER IS MAGIC

by Aaron Badgley on May 8, 2026
DEE LONG WATER IS MAGIC DEE LONG MUSIC It has been far too long since the last Dee Long album, 2011’s Life AfterLife. While there had been some singles and an EP, Long’s voice and guitar playing had been missing. But he is back with his new [...]
 
8.0
Simon Bromide and The Bromides

SPILL ALBUM REVIEW: SIMON BROMIDE AND THE BROMIDES – FOREST MOUNTAIN FOREST

by Ljubinko Zivkovic on May 8, 2026
SIMON BROMIDE AND THE BROMIDES FOREST MOUNTAIN FOREST SCRATCHY RECORDS Carrying the torch of great artists and bands is not as easy as some listeners might think. That torch could be damn heavy if you haven’t picked up all the right cues [...]
 
8.0
Abigail Lapell

SPILL ALBUM REVIEW: ABIGAIL LAPELL – SHADOW CHILD

by Ljubinko Zivkovic on May 8, 2026
ABIGAIL LAPELL SHADOW CHILD OUTSIDE MUSIC Some readers might get the impression that Abigail Lapell is kind of a Spill Magazine favorite. Ok, so they might be right, but the reasons for that do not lie solely with the fact that she’s from [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0
 
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
8.0
10
 
SPILL ALBUM REVIEW: DEE LONG – WATER IS MAGIC
8.0
10
 
SPILL ALBUM REVIEW: SIMON BROMIDE AND THE BROMIDES – FOREST M...
8.0
 
SPILL ALBUM REVIEW: ABIGAIL LAPELL – SHADOW CHILD
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3495
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1030
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
947
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
896
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
840
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
761
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
620
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
594
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
586
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
541
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
532
ENTERTAINMENT HEADLINES