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SPILL ALBUM REVIEW: MATTHEW GOOD – SOMETHING LIKE A STORM

Matthew Good

Matthew Good
Something Like A Storm
Warner Music

If early millennium melodies and modern beats had a baby, that baby would be Matthew Good’s Something Like A Storm.

For over 20 years, this Canadian music legend has been wowing audiences with elegant harmonies and rough but sophisticated vocals. And with 11 studio albums and 21 Juno award nominations behind him, Matthew Good is still blazing ahead and creating wondrous works of musical art.

Fans of “Apparitions” and “Strange Days” will appreciate the nostalgic feel of tracks like “Men at the Door” with its surrealist tones and robust harmonies.

Adversely, many music fans in general will love the creative growth that Good showcases in the track “Bad Guys Win.” The heavy beats, reverberated guitar solos, and electronic effects demonstrate that Good still has many tricks up his sleeve and isn’t afraid to challenge himself.

Then there is the dramatic title track “Something Like a Storm.” The seductive and melancholic string intro creates a brief moment of peace that crescendos to a concussive shift into a guitar solo. Turbulent and beautiful, “Something Like a Storm” is a magnificent song.

Finishing off the nine-track album is the heart-wrenching song “Bullets In a Briefcase.” Emotional and poignant, Good’s vocals tear at the soul. The transition from the piano accompaniment in the first part of the track, to the dramatic guitar in the second part of the song stirs the imagination. With every note played and sung its obvious that Good is keenly aware of how to create a haunting atmosphere within a song, a feeling that will unsettle audiences but leave them begging for more.



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SPILL ALBUM REVIEW: MATTHEW GOOD – SOMETHING LIKE A STORM

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album reviewsbad guys winmatthew goodsomething like a stormwarner music
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About the Author
Samantha Stevens
Samantha Stevens
Samantha “Sam” Stevens is half a music journalist, and half an academic scholar. With a graduate diploma and MA in Journalism, Sam has covered musicians all over the world and her work has appeared in Guitar Girl magazine, North Bay Nugget newspaper, The Link newspaper, and a few others. She even founded and managed her own music blog The Littlest Voice for 5 years, in which the spotlight was thrown on new and emerging indie artists around the globe. Currently, Sam is a PhD student at Carleton University in the School of Indigenous and Canadian studies where she is continuing her MA research on colonial language in Canadian news and government institutions.
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