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SPILL ALBUM REVIEW: A$AP TWELVYY – 12

A$AP Twelvyy

A$AP Twelvyy
12
A$AP Worlwide/RCA

Rapper A$AP Twelvyy finally steps out from the Bronx-based A$AP Mob after a decade or so of being in the background to release his first album under his own name – or at least, under Jamel Phillips’ stage name, appropriately enough using the area telephone code for Harlem but making it flow.

The result is as harsh and urban, dark and brooding, as you would expect. From ‘Diamonds’, the single which also features A$sap Rocky (other members of the A$AP Mob also help out on other tracks – Ferg, Ant and Nast), and which has incisive and insightful lyrics taking aim at the new generation of gangsta rappers.

This is not old-skool but it’s close enough for most lovers of real rap looking for something new. Flatbush Zombies also crop up of course following his work with them over the last few years and 2016’s tour,. Joey Bada$$ and Fredro Starr also help to maintain that New York approach. Sometimes, as on the surprisingly melodic ‘Strapped’, the approach can be pretty much classic hip hop, and there are a couple of street skits adding to the vibe. This is New York rap, proudly so, unmistakably so, and it is so good to hear it.



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SPILL ALBUM REVIEW: A$AP TWELVYY – 12

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Norman Darwen

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About the Author
Norman Darwen
Norman Darwen grew up in north-west England admiring Elvis’ gold lamé jacket, Lord Kitchener’s way with words, and his much older brother’s and sister’s dancing to The Rolling Stones’ ‘Little Red Rooster’ on the telly. He’d wind aforementioned brother up by reading the entire contents of an R’n’B magazine he used to have to collect from his local shop for him and then reciting back as much as he could remember. Some years later he’d wind up his own friends by telling them who these people were that Led Zeppelin etc were covering – Willie Dixon, Howling Wolf, Otis Rush etc. These days he still listens to the blues, but has added a taste for reggae, zouk, rap, folk and anything else that takes his fancy…
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